An image vignette is a time-honored way to draw attention to the subject of an image by darkening or fading its edges. Because InDesign isn’t an image editor, you might naturally decide to add a vignette to an image in Adobe Photoshop before importing it into Adobe InDesign. But you can actually create image vignettes easily in InDesign. And an image vignette you create in InDesign can be more flexible than a vignette created in Photoshop. Most importantly, saving an InDesign image vignette as an Object Style makes it easy to apply and edit a vignette consistently across a large number of images in the same InDesign document, such as a catalog.
My friends at InDesign Magazine asked me to explore InDesign image vignettes for the May 2017 issue. In my article Creating Image Vignettes I write about several approaches to creating different types of image vignettes.
InDesign Magazine is a bimonthly PDF periodical devoted entirely to Adobe InDesign and to the thriving community of InDesign professionals. With editorial direction by page-layout guru and author David Blatner and CreativePro.com editor in chief Mike Rankin, InDesign Magazine brings you the in-depth features, reviews, and tutorials you need to master Adobe InDesign.
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The Open command and double-clicking aren’t the only ways to get images into Photoshop. Learn new ways to more efficiently open images in Photoshop, individually or several at once, and directly from other applications such as Adobe Lightroom, Apple Photos, and Adobe Bridge instead of having to export and import through the desktop every time. Add new tricks to your toolbox, become more efficient, and open up new creative possibilities.
You’ve come back from a trip, and you’ve loaded your travel photos from your memory cards onto your computer. What next? Adobe Community Professionals Melissa Piccone, Jesús Ramirez, Theresa Jackson and I walk through some of our favorite Photoshop and Lightroom tips for travel photos. My segment, which is about creating panoramas in Photoshop and Lightroom, starts about 30 minutes into the recording. But it’s worth watching all four presenters.
Watch the show, originally streamed live on March 16, 2017:
Note: Watching the recording requires the Adobe Connect web browser add-in, which is available on Macs and Windows PCs but not on all desktop and mobile platforms. (My understanding is that when an Adobe Connect presentation is live, you can watch it on any devices listed in the Adobe Connect system requirements.)
Reception: Saturday, March 18, 2017 at Ida Culver House Ravenna
Images from my travels are part of Global Explorations, a group photography show; I’ll be showing images from India. These are the same photos that were shown from October 2016 through March 2017 as part of the Journey Through the Lenses show; the curator requested that the images also be included in this show. You can view this show from March 18 to July 9, 2017.
Some new displays use a color space called P3, which is different than the sRGB and Adobe RGB color spaces that designers and photographers have used for years. Is P3 an improvement, or a complication? I answer that question in an article I wrote for CreativePro.
That article refines the observations about P3 displays that I originally explored in an earlier article on this blog, A look at the P3 color gamut of the iMac display (Retina, Late 2015). I wrote the earlier article when Apple first starting shipping P3 display built into the Late 2015 iMac. Today, Apple includes P3 displays in their top-of-the-line iMacs, MacBook Pros, iPhones, and iPad Pros.