Are your prints too dark, or does your published work appear darker (or lighter) than expected? If so, you might benefit from making simple adjustments to your editing environment.
In my article on CreativePro.com, I explain how the way you perceive the brightness of your work depends on a combination of application settings, operating system settings, and display settings. To read the article click the link below:
Where do Adobe Creative Cloud desktop and mobile applications save your work? Does it surprise you to know that there are at least five possible answers to that question? This can cause a lot of confusion, especially for beginners.
In my article on CreativePro.com, I take a closer look at the different forms of Creative Cloud storage, and the different ways that desktop and mobile applications use them.
I wrote the article Collaborating Through Cloud Services, for the May 2018 issue of InDesign Magazine. I talk about ways to improve creative workflows with your team, using online resources such as Dropbox and InCopy.
Artists and designers are taught the conventional wisdom that design for digital displays should be in RGB color, and design for print should be in CMYK color. While that’s generally true, there’s a gray area that causes some confusion for some, especially beginners. I explain the difference between these workflows in my article on CreativePro.com.
I co-authored an article, From InDesign to Photoshop, with InDesign Magazine editor David Blatner for the March 2018 issue of InDesign Magazine. David and I talk about ways to accomplish a workflow that’s the reverse of what most of us usually do: Instead of moving Photoshop images into an InDesign layout, we discuss how to efficiently bring an InDesign layout into a Photoshop document.