Archive for the ‘Adobe Photoshop’ Category
Photoshop CS4: Restoring pre-CS4 channel shortcuts and curves
In Adobe Photoshop CS4, the keyboard shortcuts for viewing channels changed, and the Curves adjustment layer was implemented as a non-modal panel rather than a modal dialog box. While these changes were done for good reasons, many people are unhappy with them and wish they could do things as they did in Photoshop CS3 and before. Since Photoshop CS4 shipped, a couple of tools have emerged to roll back the changes to some extent.
Use Old Shortcuts plug-in. You can download and install a plug-in that restores the pre-CS4 shortcuts for viewing channels, where Command-1/Ctrl-1 is the composite view of channels. (In Photoshop CS4, Command-2/Ctrl-2 displays the composite channel view, and accordingly, the single-channel viewing shortcuts were all moved up one key.) The link to the plug-in is available on this entry on Photoshop product manager John Nack’s blog. To install it, first unzip the downloaded file, identify the plug-in for your system (Mac or Windows), then drag it into the Plug-ins folder inside the Adobe Photoshop Cs4 application folder. It doesn’t matter where it is inside that folder.
Curves-Dialog panel. This is a panel that lets you add a new Curves adjustment layer or edit a selected Curves adjustment layer using a dialog box, as it was before Photoshop CS4. This panel was built as an extension using Adobe Configurator, and is again downloadable from John Nack’s blog. To install it, first double-click to unzip it, then double-click the unzipped .mxp file. It should open in Adobe Extension Manager, which should install it into the right location automatically. You may need to download and install (or update) Adobe AIR for the extension to work.
Important: It’s still recommended that you learn the CS4 shortcuts and Curves adjustment panel workflow and shortcuts, because it’s the way future versions of Photoshop are likely to work. There is no guarantee that the plug-in or extension will still work or be upgraded to work with versions of Photoshop beyond CS4. Even though I’ve used Photoshop for many years, I’m using the new shortcuts, partly because I agree with the decision to make the Actual Pixels (100% magnification) shortcut (now Command-1/Ctrl-1) match other Adobe and Apple software.
Epson inkjet printers: Printer preset forgets settings
Filed under: Adobe Photoshop, Digital Photography, Epson Stylus Pro 3800, Mac OS X | Tags: 3800, epson, preset, Printing, settings
Leave a Comment If you use an Epson Stylus Photo/Epson Stylus Pro printer in Mac OS X and you save printer settings as printer presets (a recommended practice), there may be times when you choose a preset and realize that some of the settings mysteriously deviate from the way you saved them. For example, you might swear that you saved the Printer Color Management setting as No Color Management, but it somehow turns itself back on when you apply a preset. Other symptoms are finding the wrong paper type or color settings selected. And even more mysteriously, you might notice that sometimes it does remember the same settings that it forgot on another occasion.
I don’t know if this applies to all printers in OS X, but presets for Epson photo printers are quite sensitive to the conditions under which they were created—and unexpectedly, this can include the state of settings that are outside the Print dialog itself. Pay particular attention to the settings in the Page Setup dialog box.
For example, I once discovered that reason my Epson 3800 printer presets would not remember my color settings was that the current paper source did not match the paper source that was in effect when I created the preset! I’ve had to make two versions of my favorite presets: One preset for when I’m using the automatic paper feeder, and another for when I’m using the manual feed slot. The settings saved in each preset are exactly the same; the only difference is which paper feed is selected when I save each preset. Of course, I have to mention the paper source in each preset’s name, so that I know which one to select.
I have not yet tested if this behavior is the same in Windows.
This interaction between paper source and printer presets is yet another reason to make sure you always check the Page Setup dialog box before you print, and especially before you print a Photoshop document for the first time. In Page Setup, the selected printer, paper size, and paper source affect what you get to do in the Print dialog box. If you don’t get Page Setup right from the beginning, you’re setting yourself up for confusion when you print.
Lightroom. If you’re trying to get Epson printer driver settings to stick in Adobe Photoshop Lightroom on Mac OS X when you save a Lightroom printer preset, the trick is to not use the Epson printer driver presets. Instead, leave the printer preset set to Standard, make the printer driver settings, and then save the Lightroom printer preset.
Camera Raw: Detailed image inspection with one key
Filed under: Adobe Bridge, Adobe Camera Raw, Adobe Creative Suite, Adobe Photoshop, Adobe Photoshop Lightroom, Digital Photography |
Leave a Comment Camera Raw 4.1 and later add a very useful feature that appeared first in Lightroom. If you want to inspect an image closely for dust or other defects that need retouching, the Page Down key takes you through the entire image, from the top left corner to the bottom right corner. Here’s how it works:
1. In Camera Raw, zoom to 100% view or higher.
2. Press the Home key to view the top left corner of the image.
3. Press the Page Down key to move down one screen.
4. Press Page Down again to move down another screen. This is the cool part: If you hit the bottom of the image and press Page Down, Camera Raw automatically jumps to the top of the image one screen to the right! This means that all you have to do to check the entire image is keep pressing Page Down, until you reach the bottom right corner of the image.
On notebook computers without separate Home, End, Page Up, or Page Down keys, remember that they may be available as second functions on your arrow or other keys. For example, on Mac notebooks, these four functions are overlaid on the four arrow keys, and invoked when you also press the Fn (function) key. So to use Page Down, you’d press Fn+Down Arrow.
Open Raw files in Adobe Camera Raw by default
Filed under: Adobe Bridge, Adobe Camera Raw, Adobe Creative Suite, Adobe Photoshop, Digital Photography | Tags: Adobe Camera Raw, camera raw, file type, Photoshop
Comments (3) If you use Adobe Camera Raw as your raw converter for digital camera raw files, you might want to be able to open your raw files in Camera Raw when you double-click them. For most files, you would do this in your operating system by changing which application opens the camera raw file type.
But with Camera Raw, there’s a catch. Camera Raw is not a standalone application, so you can’t associate it directly with a file type. It turns out that this is not a big deal, because Adobe Photoshop must open camera raw files in Camera Raw anyway. So the solution is to associate camera raw files with Photoshop. I show the steps below for Mac OS X; the steps for Windows are similar.
1. On the desktop, select a raw file of the type you want to open in Photoshop. I’ve selected a CR2 file from a Canon digital SLR.
2. Choose File > Get Info (Command+I).
3. From the Open With pop-up menu in the Get Info window, choose the version of Photoshop that you want to use to open your raw files.
4. The file icon updates to indicate that Photoshop will now open it.
5. Click “Change All” so that your change applies to all files of the same type. Other file icons may not update immediately, but the change has taken effect. From now on, when you double-click that type of a raw file, it will open in Photoshop, which will then open it in Adobe Camera Raw.
Because the file association is tied to a specific file type, making this change affects only the file type you’ve changed. You’ll need to associate each different raw file type separately. For example, if you made this change for NEF (Nikon) raw files and then you later work with some CR2 (Canon) raw files, you’ll have to associate the CR2 files with Photoshop too.
(If you’re having trouble getting Camera Raw to see your raw files in the first place, try updating Camera Raw. Support for new cameras is added several times a year. Either download the latest version from adobe.com, or run the Adobe Updater utility that came with Photoshop. Note that the current version of Camera Raw may not work with older versions of Photoshop. If you are trying to edit a new camera’s raw files in a version of Photoshop that’s too old for the current version of Camera Raw, you should either upgrade Photoshop or use the free Adobe DNG converter to convert raw files to the DNG format, which older versions of Camera Raw can edit.)
Thanks to Céline C. for asking this question!
Apple keyboards are now safe for calibrated Apple LCD monitors
Filed under: Adobe Photoshop, Apple, Apple Hardware, Color management, Digital Photography |
Comments (1) If you’ve carefully calibrated your monitor and you use the white Apple keyboard that came with the iMacs and Mac Pros, you may have encountered that nasty surprise when accidentally pressing the F14 and F15 keys: They change the monitor brightness.
Changing the monitor brightness is obviously a big no-no if you’re maintaining a color-managed environment, because the monitor no longer represents the conditions under which it was profiled. Even worse, you may not notice that you’ve hit the key, or you may not know how far off you changed the brightness. All you can do is re-profile the monitor. The constant risk of accidentally hitting F14 or F15 and invalidating your monitor profile is an unusual misstep for Apple, which promotes color management as a Mac platform advantage.
There used to be no way to disable or remap the F14 and F15 keys on the Apple keyboard, but it looks like this problem will slowly fade into history. If you use the new slim aluminum Apple keyboard, you can make it so that you have to press Fn to set brightness with F1 or F1. If you have the older white Apple keyboard, you can take advantage of new keyboard shortcut editing options in Apple Keyboard Software Update 1.1 or later.
Changing keyboard brightness control with the slim aluminum Apple keyboard
The slim aluminum Apple keyboard introduced in 2007 puts the brightness keys on the function row along with the Exposé, Dashboard, and media keys. Why is this good? Because now you can bury the brightness function. To do this:
1. Open System Preferences.
2. Click Keyboard & Mouse.
3. Click the Keyboard tab.
4. Click to enable the box “Use the F1-F12 keys to control software features.”
5. Close System Preferences.
After enabling the “Use the F1-F12 keys…” option, you must press the Fn key (to the right of the Delete key) to use F1-F12 to use the alternate labels on the F1-F12 keys, such as brightness and the media keys. That means if you accidentally hit F1, you won’t throw your system out of its calibrated state.
If you still want single-key access to Dashboard and others, just redefine their shortcuts. You can do this in the System Preferences pane for each feature (such as Dashboard & Exposé), or in the Keyboard Shortcuts tab of the Keyboard & Mouse preferences pane.
Changing or disabling keyboard brightness control with the white Apple keyboard
It turns out that Apple Keyboard Software Update 1.1 or later adds a keyboard shortcut option to disable or change keyboard brightness control for the older white Apple keyboard. To do this:
1. Open System Preferences.
2. Click Keyboard & Mouse.
3. Click the Keyboard Shortcuts tab.
4. Scroll all the way down to where it says Displays.
5. Disable the check box for “Display” Or, if you just want to change the shortcuts, click in the Shortcut column and press the new shortcut. For example, if you change Increase Display Brightness to Shift+F15, you prevent unintended brightness changes due to accidental key presses, but by adding Shift you can still control brightness with the keyboard when you really intend to.
6. Close System Preferences.
Note: You won’t see the Display section if you’re using the slim Aluminum keyboard, only if you are using the older white Apple keyboard.
Photoshop: Preview checkbox shortcut in dialog boxes
Filed under: Adobe Creative Suite, Adobe Photoshop, Digital Photography |
Leave a Comment One of my favorite new features in Adobe Photoshop CS3 is the new keyboard shortcut for clicking the Preview checkbox in dialog boxes. Just press the P key!
Adobe wisely brought in this shortcut from Adobe Camera Raw, and it saves a lot of repetitive mousing when you’re doing before/after comparisons. It’s one of those enhancements that’s so small nobody notices, yet has a large actual effect on productivity.
Back up important preferences files
Filed under: Adobe Creative Suite, Adobe Photoshop, Apple, Mac OS X |
Leave a Comment When an application isn’t quite working right, sometimes the cause is a preferences file that’s gotten corrupted, so a common troubleshooting step is to delete an application’s preferences file. That’s easy to do, but with many of today’s more complex software programs, preferences are key to your workflow, and when you lose your preferences, the program may no longer do what you expect it to because it’s reverted to the factory defaults. If you’re trying to get jobs out fast, reset preferences can slow you down until you get all of them back to the way they were.
Let’s take Photoshop, for example. The preferences control everything from how keyboard shortcuts work to which disks are used for scratch files. If you’ve changed 24 preference settings and then one day you have to delete the preferences file to solve a problem, it’s hard to remember all of the options you changed. Keyboard shortcuts, units of measure, tool defaults, printer profile choices, and scratch disk locations can all be changed to settings you aren’t used to.
Here’s an easy way to restore your preferences easily in case you have to delete your preferences. After you get preferences set up the way you want, and before a problem happens, just create a .zip archive of your preferences. Whether you use Mac OS X or Windows this is easy and just takes a second.
First, find the preferences file you want to preserve.
Then, on Mac OS X, select the file and choose File > Create Archive Of (the filename).
On Windows, right-click the file and choose Send to > Compressed (Zipped) Folder.
You can just leave the zip archive next to the original preferences file because the program that uses that file will ignore it if it has the .zip filename extension instead of its normal one. Because the zip archive is created in the same location with a nearly identical filename, you don’t have to fish it out of a backup somewhere; it’s already in the right place.
When you have a problem that requires deleting preferences, delete the actual preferences file and then simply extract the backup preferences from the zip archive by double-clicking it. On Mac OS X, the file appears in the same place you zipped it, which should already be the right place if you zipped it in its proper folder location. On Windows, you may have to go through the extra step of dragging it out of the containing folder that the Extraction Wizard creates and then deleting that extraction folder. On either OS, the zip archive remains in place so you can easily extract the backup again in case you have another problem in the future.
Some applications have entire folders of preferences, or additional folders in the Application Support folder on Mac OS X or the Common Files folder in Windows. If those folders contain presets or other files that can’t be reinstalled from the original disks because they’re unique to you, it can be a good idea to back those up in place too.
Dr. Brown’s Place-O-Matic: Camera Raw color space not used?
Filed under: Adobe Camera Raw, Adobe Creative Suite, Adobe Photoshop, Digital Photography |
Leave a Comment If you use the Dr. Brown’s Place-O-Matic plug-in for Photoshop and the Space in the Adobe Camera Raw dialog box doesn’t seem to be applied to the Photoshop document containing the Smart Objects generated by the plug-in, change your Color Settings in Photoshop (Edit > Color Settings) before using Dr. Brown’s Place-O-Matic. Dr. Brown’s Place-O-Matic sets up the Photoshop document using the current Color Settings.
I came across this when I selected ProPhoto RGB and 16 Bits/Channel in the Camera Raw dialog box, and noticed that the resulting Photoshop document was in sRGB. When I changed my Color Settings to use ProPhoto RGB, the Photoshop document created by Dr. Brown’s Place-O-Matic was created with ProPhoto RGB.
Dr. Brown’s Place-O-Matic is a free Photoshop plug-in available from the Tips and Techniques page on Russell Brown’s web site. It helps you create one image from two different conversions of the same camera raw format image, such as when you want to combine the very light and very dark parts of the same image. Because the plug-in imports two versions of a camera raw image as smart objects, you can alter the conversion settings at any time, which gives you a lot of flexibility.
Mac Pro: Why four hard drive bays are great for Photoshop
Apple announced the new Mac Pro tower this week. For a Photoshop user, the Mac Pro’s quad SATA hard drive bays are just as useful as the quad cores of the two Xeon CPUs.
Why would a Mac Photoshop user need to use up four drive bays? Actually, it isn’t that hard. First, we know drive number 1 is the system drive that also contains all user folders and their documents. But I like to keep my photo archive on a drive other than the system drive, partly because it’s huge, but also so that if crazy things start happening to the system drive, my photo archive is less likely to be affected. This also simplifies backing up the entire archive to one of my external archive mirror drives. Right now my photo archive is on an external drive, but if I buy a Mac Pro then the photo archive can go to internal drive number 2 and get some clutter off the desk.
I would use drive number 3 as a Photoshop scratch disk. Photoshop has its own virtual memory that’s independent of the virtual memory that OS X and Windows XP use, and it’s optimized for how Photoshop must deal with image data. If you want the best Photoshop performance, in addition to having tons of RAM you should also have a separate, fast hard disk that’s assigned as a dedicated Photoshop scratch disk (set this up in Preferences > Plug-Ins and Scratch Disks). Again, another disk inside the machine instead of on the desk.
What about the fourth drive bay? At the moment, I could leave it empty. But when Mac OS X 10.5 (Leopard) comes along sometime in the spring of 2007, it will include the Time Machine continuous backup feature, which requires a dedicated volume. Why not stick a drive in bay 4 and make it the Time Machine backup drive? That would be perfect.
And that’s it…all four internal bays of a Mac Pro quickly used up to help optimize Photoshop and also OS X 10.5 when it gets here. With all the drives that won’t have to sit in external cases on my desk, I might be able to get rid of a whole power strip.
“Folder not found” error when batch processing in Photoshop
Filed under: Adobe Bridge, Adobe Creative Suite, Adobe Photoshop |
Leave a Comment If you try to run a batch process in Adobe Photoshop (either from Photoshop or from Adobe Bridge) and you get an error message that says a folder wasn’t found, here are some things to check:
- In the Batch Processing dialog box, look at the Errors section at the bottom of the dialog box. If you have the Errors pop-up menu set to Log Errors to File, click Save As and reset the error log file location. Pointing the log file to a disk or disk name that isn’t mounted or no longer exists can cause the error message. For example, maybe you renamed or deleted the folder that the error log was pointed to before.
- Check the action you’re running, and if there any folder paths in any action step, make sure those paths are still valid. Folder paths can exist in can Open step, a Save step, or a Load or Save step. For example, you might have a step that loads a saved curve from disk into the Curves dialog box.
- If you action calls other actions, check the folder paths in those sub-actions.
