Artists and designers are taught the conventional wisdom that design for digital displays should be in RGB color, and design for print should be in CMYK color. While that’s generally true, there’s a gray area that causes some confusion for some, especially beginners. I explain the difference between these workflows in my article on CreativePro.com.
With the release of macOS 10.13 High Sierra, you’re probably wondering whether your Adobe software will work in the new Mac operating system.
With every macOS upgrade, full information about compatibility is typically not available on the day the new system is released or even shortly after. More information emerges over time, especially as Apple, Adobe, and other software developers test with the final public release and produce updates with fixes. I’ll update this article as new information comes out.
You can merge multiple images into a panorama in Adobe Photoshop, Adobe Camera Raw (which comes with Photoshop), and Adobe Photoshop Lightroom. But don’t assume they create panoramas the same way. In fact they work differently, but those differences give you more ways to resolve potential panorama issues.
How do you choose which method to use? I answer that question in an article for CreativePro.com, which you can read at the following link:
The Adobe Digital Negative (DNG) format started out as an open file format for saving raw image data from the sensor in a digital camera. While DNG hasn’t exactly become a household name, I recently began to notice that DNG has come into wider use behind the scenes in several Adobe and non-Adobe photo workflows, and not just for camera raw files. What makes this possible is the inherent versatility that Adobe built into the DNG format. Are you already using DNG without even knowing it?
Read my full article for CreativePro.com at the following link:
You’ve come back from a trip, and you’ve loaded your travel photos from your memory cards onto your computer. What next? Adobe Community Professionals Melissa Piccone, Jesús Ramirez, Theresa Jackson and I walk through some of our favorite Photoshop and Lightroom tips for travel photos. My segment, which is about creating panoramas in Photoshop and Lightroom, starts about 30 minutes into the recording. But it’s worth watching all four presenters.
Watch the show, originally streamed live on March 16, 2017:
Adobe Live with the Pros: Photoshop and Lightroom (65 minutes)
Note: Watching the recording requires the Adobe Connect web browser add-in, which is available on Macs and Windows PCs but not on all desktop and mobile platforms. (My understanding is that when an Adobe Connect presentation is live, you can watch it on any devices listed in the Adobe Connect system requirements.)