Artists and designers are taught the conventional wisdom that design for digital displays should be in RGB color, and design for print should be in CMYK color. While that’s generally true, there’s a gray area that causes some confusion for some, especially beginners. I explain the difference between these workflows in my article on CreativePro.com.
I co-authored an article, From InDesign to Photoshop, with InDesign Magazine editor David Blatner for the March 2018 issue of InDesign Magazine. David and I talk about ways to accomplish a workflow that’s the reverse of what most of us usually do: Instead of moving Photoshop images into an InDesign layout, we discuss how to efficiently bring an InDesign layout into a Photoshop document.
With the release of macOS 10.13 High Sierra, you’re probably wondering whether your Adobe software will work in the new Mac operating system.
With every macOS upgrade, full information about compatibility is typically not available on the day the new system is released or even shortly after. More information emerges over time, especially as Apple, Adobe, and other software developers test with the final public release and produce updates with fixes. I’ll update this article as new information comes out.
When you’re not sure whether your applications will work with the latest macOS upgrade, you might go online to see if a website can tell you that your software is compatible. But the advice of others can only go so far, because it may not reveal problems related to the specific combination of applications and hardware you use. A better way is to test the new macOS upgrade yourself.
If you need to compress video for online streaming from websites such as YouTube or Vimeo, the sheer number of export settings can be bewildering. Where do you start?
Luckily, you only need to pay attention to a few key choices. I talk about those in an article I wrote for CreativePro.com, which you can read at the following link:
The article is written from the point of view of exporting from Adobe Premiere Pro or Adobe Media Encoder, but the general approach works in other software.