I wrote the article Collaborating Through Cloud Services, for the May 2018 issue of InDesign Magazine. I talk about ways to improve creative workflows with your team, using online resources such as Dropbox and InCopy.
Artists and designers are taught the conventional wisdom that design for digital displays should be in RGB color, and design for print should be in CMYK color. While that’s generally true, there’s a gray area that causes some confusion for some, especially beginners. I explain the difference between these workflows in my article on CreativePro.com.
I co-authored an article, From InDesign to Photoshop, with InDesign Magazine editor David Blatner for the March 2018 issue of InDesign Magazine. David and I talk about ways to accomplish a workflow that’s the reverse of what most of us usually do: Instead of moving Photoshop images into an InDesign layout, we discuss how to efficiently bring an InDesign layout into a Photoshop document.
With the release of macOS 10.13 High Sierra, you’re probably wondering whether your Adobe software will work in the new Mac operating system.
With every macOS upgrade, full information about compatibility is typically not available on the day the new system is released or even shortly after. More information emerges over time, especially as Apple, Adobe, and other software developers test with the final public release and produce updates with fixes. I’ll update this article as new information comes out.
You can merge multiple images into a panorama in Adobe Photoshop, Adobe Camera Raw (which comes with Photoshop), and Adobe Photoshop Lightroom. But don’t assume they create panoramas the same way. In fact they work differently, but those differences give you more ways to resolve potential panorama issues.
How do you choose which method to use? I answer that question in an article for CreativePro.com, which you can read at the following link: