I co-authored an article, From InDesign to Photoshop, with InDesign Magazine editor David Blatner for the March 2018 issue of InDesign Magazine. David and I talk about ways to accomplish a workflow that’s the reverse of what most of us usually do: Instead of moving Photoshop images into an InDesign layout, we discuss how to efficiently bring an InDesign layout into a Photoshop document.
With the release of macOS 10.13 High Sierra, you’re probably wondering whether your Adobe software will work in the new Mac operating system.
With every macOS upgrade, full information about compatibility is typically not available on the day the new system is released or even shortly after. More information emerges over time, especially as Apple, Adobe, and other software developers test with the final public release and produce updates with fixes. I’ll update this article as new information comes out.
In Adobe software, the enigmatic Esc key can do more than you might expect. You might already know that you can use the Esc key as a shortcut for the Cancel button in dialog boxes, but there are some less obvious but quite useful ways that the Esc key can save you time in applications such as Adobe Photoshop, Adobe InDesign, and Adobe Illustrator.
Read the full article at the following link:
An image vignette is a time-honored way to draw attention to the subject of an image by darkening or fading its edges. Because InDesign isn’t an image editor, you might naturally decide to add a vignette to an image in Adobe Photoshop before importing it into Adobe InDesign. But you can actually create image vignettes easily in InDesign. And an image vignette you create in InDesign can be more flexible than a vignette created in Photoshop. Most importantly, saving an InDesign image vignette as an Object Style makes it easy to apply and edit a vignette consistently across a large number of images in the same InDesign document, such as a catalog.
My friends at InDesign Magazine asked me to explore InDesign image vignettes for the May 2017 issue. In my article Creating Image Vignettes I write about several approaches to creating different types of image vignettes.
InDesign Magazine is a bimonthly PDF periodical devoted entirely to Adobe InDesign and to the thriving community of InDesign professionals. With editorial direction by page-layout guru and author David Blatner and CreativePro.com editor in chief Mike Rankin, InDesign Magazine brings you the in-depth features, reviews, and tutorials you need to master Adobe InDesign.
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Some new displays use a color space called P3, which is different than the sRGB and Adobe RGB color spaces that designers and photographers have used for years. Is P3 an improvement, or a complication? I answer that question in an article I wrote for CreativePro.
Read my article at the following link:
That article refines the observations about P3 displays that I originally explored in an earlier article on this blog, A look at the P3 color gamut of the iMac display (Retina, Late 2015). I wrote the earlier article when Apple first starting shipping P3 display built into the Late 2015 iMac. Today, Apple includes P3 displays in their top-of-the-line iMacs, MacBook Pros, iPhones, and iPad Pros.