Feeds:
Posts
Comments

Canon EOS 600D T3i product photograph

At first glance, the Canon 600D/EOS Rebel T3i seems to be another routine update to Canon’s entry-level line of SLR cameras, but two features in particular compel me to comment. Before we get to that part, it helps to lay down a little context.

Canon broke open the high-definition video DSLR video market with the Canon EOS 5D Mark II, and solidified its position with the Canon EOS 7D. It was not too long ago that if you wanted to do Canon HD-DSLR video, you had to pick between those two models, and you couldn’t get in for less than roughly $1600 US. However, neither model has automatic continuous focus during video shooting, nor the articulated (swivel) LCD screen found on just about every video camera out there. Those omissions aren’t a barrier to professionals who routinely surround an HD-DSLR camera with a rig, a field monitor, and focus pulling hardware, but they do annoy more casual videographers.

From a predictable hierarchy…

Canon started migrating HD video down the line, reaching 1080p at 30/25/24 fps with the Canon 550D/Rebel T2i a little less than a year ago, largely matching the video capabilities of the 7D. But the 7D and 5D Mk II continued to offer definite advantages in other ways, such as the sensor size and manual audio gain control of the 5D or the wireless flash control of the 7D.

…to a significant change in feature alignment

With the 600D/T3i, Canon starts to turn things upside down a little. For one thing, it finally adds an articulated LCD screen to the Canon SLR line. Because the video capabilities of the 600D are largely on par with the 7D, the video power of the $1600 7D is now available in the $800 Canon 600D. And that’s not all. The 600D is now only the second Canon digital SLR that has built-in wireless control over Canon Speedlite flash units. It was a big deal when the 7D picked up this feature (in part because it finally caught up to a feature Nikon has had for a while); I’m surprised Canon moved it so far downmarket so fast.

A sign of big things coming?

Because both the swivel screen and wireless flash control are now available way down in the Canon product line, Canon probably intends to add unknown new features to the 5D and 7D that Canon feels are big enough to continue to differentiate those models at the high end (full-time video autofocus, anyone?). The swivel screen will eventually appear further up in the Canon line, but they may keep it off of the 1D and 5D series which are more likely to be used by pure still photographers. And someone who buys a 5D to do serious video is more likely to attach an optical viewfinder or field monitor rather than rely on any on-camera LCD.

It will definitely be interesting to see how it all sorts out. For now, while pros will continue to shoot with the 7D and 5D, still-image enthusiasts who plan to shoot a lot of video may find that the 600D/T3i could be all the Canon camera they need—dramatically reducing the cost of both HD-DSLR video and wireless E-TTL flash control.

Image of article

The new Lens Correction feature in Adobe Photoshop CS5, Adobe Camera Raw 6.1 or later, and Adobe Photoshop Lightroom 3 does a great job of removing various forms of distortion that you find in all kinds of lenses—from phone cameras to $1500 pro lenses. But there’s nothing stopping you from taking Lens Correction a step further: using it as a creative tool that can strengthen your compositions and spice up your images.

Click the link below to read the article at Peachpit.com:
Exploring Creative Lens Correction in Adobe Photoshop CS5 and Lightroom 3

Canon EOS 7D product photograph

If you’ve got a Canon EOS 7D, here’s some 7D news you might have missed during the holidays.

Firmware update version 1.2.3

A recent update to the 7D firmware addresses issues with the Speedlite Transmitter STE-2 and the Macro Ring Lite. Download 7D Firmware Update Version 1.2.3 here. This isn’t the first firmware update since the 7D came out, so even if the Version 1.2.3 fixes don’t apply to you, you might want to install this to get caught up if you haven’t installed any firmware updates since you bought the camera.

Add a lock to your mode dial

Do you ruin shots by accidentally nudging your mode dial to the wrong setting, ending up with B when you meant M or with Tv when you meant A? Now Canon will add a mode dial lock to your EOS 7D or EOS 5D Mark II…but it’s cost you. About $100. Engadget has the details.

Canon rebates expiring January 8, 2011

The current round of Canon rebates expires this weekend, so if there was Canon gear Santa didn’t bring you, now’s your chance to pick it up for yourself. Rebates apply to bodies, lenses, flashes, and more. For more information, go to the Promotions page on the Canon USA Professional Imaging Products web site. It’s worth checking that page periodically, since Canon tends to offer different rebates and discounts during the year.

I won’t be publishing news on every camera out there, but if you and I have some hardware in common you’ll periodically see some news about it right here.

It’s easy to fall into the trap of seeing a subject, shooting at eye level, and simply moving on; I have to remember to break out of that habit all the time. Walking past a building site the other night, I was intrigued by the color and perspective of the green pipes they brought in. The way the pipes leaned out over the new walls looked like a battleship gun Terry Gilliam would dream up. The eye-level shot I took really didn’t do anything for me and I deleted it, but I really wanted to make the shot work. I remembered to try pushing the pipes up into the sky or down into the ground simply by moving the camera up and down. As a result, I got two shots I liked a whole lot more than the eye-level shot.

Fire Station 21 pipes looking up

Fire station pipes looking down

For the first shot I lowered the camera to about a foot off the ground, and for the second shot I raised the camera as far up as my arms could reach. That simple 6-foot difference produced two noticeably different images.

What the photos don’t show is the chain-link fence around the building site. To make the fence disappear, I moved the camera right up to the fence and shot through it. The fence turned out to be more of a help than a hindrance, because I was able to brace the camera on the fence with both hands to steady a long exposure enough for the camera’s image stabilization to be able to make up the difference. This was made easier because I was shooting with my pocket camera, a Panasonic DMC-LX3 set to shoot raw at ISO 1600. If it had been an SLR, I wouldn’t have been able to rest the entire lens inside one of the chain link holes.

It was the screen on the back of the camera that let me compose the shots without having to lie on the wet ground or finding a ladder. There’s a rather significant group of photographers that’s devoted to the optical viewfinder, and they tend to take a dim view of shooting with any electronic viewfinder. These two shots are examples of why I don’t agree with them. On the camera screen I was able to compose and check the composition at the edges, level (with the help of the on-screen grid option), and check exposure with the help of the histogram and clipping display, and I could do it with the camera at an odd angle far from my face. Being able to read the screen from a distance freed me up to create two very different compositions from the same spot on the sidewalk.

When processing the shot later in Lightroom 3.3, noise reduction, Clarity, and Vibrance were very helpful in cleaning up the image and punching up the color and local contrast. High ISO shadows can be a little purple on this camera, so I reduced the purple saturation in the Hue/Saturation/Lightness panel.

Adobe photography application icons

Adobe has released a wave of updates for its professional photography applications:

Adobe Photoshop CS5 12.0.2 (no release notes link, see download/updates link below)
Adobe Camera Raw 6.3 (click for release notes in PDF)
Adobe Photoshop Lightroom 3.3 (click for release notes in PDF)

As usual, you can read the release notes and download the installers from

http://www.adobe.com/downloads/updates/

or:

To update Photoshop and Camera Raw directly, start Photoshop and choose Help > Updates.

To update Lightroom directly, start Lightroom and choose Help > Updates.

I may pull out some highlights from the release notes here later when I have more time, but for now you can refer to the links above.

Adobe Color Printing Utility 1.0

Adobe Color Printer Utility 1.0 released

If you print color target images because you build printer profiles, and you’ve been frustrated that the No Color Management option is missing from the Print dialog box in Adobe Photoshop CS5, you can breathe a little easier now. No, make that a lot easier. Adobe has released the Adobe Color Printer Utility, specifically designed to print RGB TIFF color profiling targets without the risk of having the test swatch colors distorted by a color management system.

You may have read about this issue on page 97 of my book Real World Adobe Photoshop CS5 for Photographers, in the sidebar “What happened to No Color Management?” As the book went to press, Adobe had announced they were working on this utility but it was unclear when it would actually become available. Now that they’ve released Adobe Color Printer Utility, the Adobe tech note referenced in the book has been updated with links to the Mac OS X and Windows versions of the utility. Here’s the link to the tech note and download:
http://kb2.adobe.com/cps/834/cpsid_83497.html

The system requirements are also on that page.

There isn’t much to the utility itself; the most important commands are Open and Print. All the magic is in the printing code, which presumably burrows its way directly to the printer, bypassing the printing color management code of the OS so that you get a pure reading of how the printer reproduces color.

It was a bit of a wait for those who needed this tool, but there are definite advantages to printing profiling targets from a utility instead of from within Photoshop. Adobe and its users no longer have to watch the No Color Management option break when Apple and Microsoft update their printing code, and you no longer have to pay for Photoshop just to be able to reliably print a color profiling target. Now you can just use a free utility that Adobe can update more quickly and independently.

There are no targets included with Adobe Color Printer Utility. The RGB target you see in the screen shot above was downloaded from the Luminous Landscape website (luminous-landscape.com).

Special notes

Adobe Color Printer Utility is intended only for printing color management target files when profiling a printer through RGB-based driver software—usually an inkjet printer, and not when printing CMYK through a PostScript RIP. Adobe Color Printer Utility isn’t intended for printing CMYK-mode profiling targets. The issues it addresses don’t exist for a PostScript-based CMYK workflow, such as a prepress workflow. You’ll probably find that printing CMYK-mode targets from ACPU doesn’t work when you output through RGB-based printer drivers.

Also, do not use Adobe Color Printer Utility for normal print jobs. (Yes, the name is a little misleading.) It’s only useful when you’re profiling a printer.

iPhone voicemail password request

Has your iPhone all of a sudden started asking you for your voicemail password? Is it not letting you in even though you’re sure you entered the right voicemail password? Or have you completely forgotten the password?

When this started happening to me, I ran a search on Twitter and found a lot of people complaining about the same thing. Which means it might have been an AT&T system glitch and nothing we users did wrong on our phones. People have proposed various solutions out there, everything from calling AT&T customer service to having the phone send you a new temporary password via SMS. But what worked for me was a lot simpler and I didn’t have to use a different password.

My fix. I used my iPhone to dial my own phone number, which answers by putting me directly into my voicemail account. I then followed the voicemail menu to where you can change your password, and get this: it didn’t ask me for the old password before entering the new one. How convenient. I entered the password I wanted, and the next time AT&T voicemail asked me for my password, I entered that one and it worked.

When you get to the AT&T voicemail menu, here’s the sequence (or just listen to the menus if they changed them around):

  1. Press 4 for personal options.
  2. Press 2 for administrative options.
  3. Press 1 to manage passwords.
  4. Press 1 to change the password.
  5. When the system asks you to enter the password you want, do it.
  6. When the system lets you know the new password is set, press * to back out of the menus until the system says “Goodbye!”

The next time the Voicemail screen asks you for your password, the one you just set up should work. And all of your saved voicemails should show up again. That’s what happened to me, anyway; if it isn’t working for you I really don’t know what to do next except maybe contact AT&T.

OK, that was easy. But if there was a kung-fu film called Enter the Password, at this point its hero might say, looking around with suspicion, “…that was too easy.”

Security concern. While it was convenient to be able to change my password without having to know whatever mystery password AT&T was expecting before, security-minded readers may see this as a security hole. It means that if your iPhone is in the wrong hands for less than a minute, they could easily lock you out of your own voicemail by changing your password. Just another reason why every smartphone user should use the feature that locks your phone when you don’t use it for a couple of minutes, requiring a passcode to get back in. Yes, a phone passcode is a hassle, but there’s just too much personal information on these phones now and too much access to key parts of your life to allow a smartphone to be unsecured.

Reading my book on an iPhone

If you’ve always wanted to read a Photoshop book on a tiny iPhone screen, your life is now complete: I just got word that my recent books, such as Real World Adobe Photoshop CS5 for Photographers, are now available in the Apple iBookstore on iPhone, iPad, and iPod touch. An easy way to find them in the iBookstore is to search for my name, Conrad Chavez.

The books are formatted for easy reading in the iBooks app on iOS devices, and if you want to see what that looks and feels like, there’s a “Get Sample” button you can click to download a free excerpt. Or just look at the pictures here.

For some time now, Adobe has been advising customers that some Photoshop CS5 crashes were traced to bugs in the font code in Mac OS X. It appears that Apple has now fixed many of those crashes in today’s release of the Mac OS X 10.6.5 update, according to Photoshop engineer Chris Cox in a post at the Adobe support forums.

If you’ve experienced these crashes (I haven’t), download Mac OS X 10.6.5 and you’ll hopefully see an improvement in Photoshop stability. As always, I recommend downloading the Combo updater if you’ve got the bandwidth for it.

On a side note, if you’ve got a new camera and you’ve been waiting for Mac OS X to support its raw format, check the list of camera raw formats added in 10.6.5. It contains new support for some notable recent models such as the Canon PowerShot S95, Canon EOS 60D, and the Panasonic Lumix DMC-LX5.

So now you’ve got Adobe Photoshop CS5, and you need to know which new features can bring the highest return to your photography and your studio’s workflow. Lucky you…just grab my book Real World Adobe Photoshop CS5 for Photographers, which is now available.

Real World Adobe Photoshop CS5 for Photographers book coverI concentrate on the needs of professional digital photographers so that you don’t have to wade through explanations of 3D, HTML, or cheesy special effects just to get good, solid images out the door. This book is about Photoshop for pure photography: How to get the image from the camera into editing and then produce the best possible version for the diverse forms of output that your clients demand today, such as CMYK printing, RGB inkjet printing, online photo galleries and sharing websites such as Facebook and Flickr.

Going well beyond a mere description of what’s in the menus and tools, Real World Photoshop still includes the time-tested, fundamental guidance about color correction, color management, and efficient workflow that has made edition after edition a perennial best-seller. You’ll also find valuable tips on almost every page in the book and advice on how to put together a killer Photoshop computer.

Here are some of the new features I cover in this CS5 edition:

  • Mask difficult edges, such as hair, more quickly using improved Refine Edge
  • Extend and optimize image dynamic range with Merge to HDR Pro and HDR Toning
  • Retouch faster with Content Aware Fill and Content Aware Heal
  • Correct lens distortions with new Lens Profiles
  • Select and specify colors faster with the new HUD Color Picker
  • Convert images and upload directly to Facebook, Flickr, and other destinations in one step, using the new Output panel in Adobe Bridge
  • Make the most of the rewritten raw processing engine, dramatically improved noise reduction, and new lens corrections in Adobe Camera Raw 6

How to get yours

Get Real World Adobe Photoshop CS5 for Photographers at your favorite bookseller, at Amazon.com, or at Peachpit.com. Want it as an e-book? Check out Safari Books Online. If you’re a Creative Edge subscriber, you can even start reading Rough Cuts drafts of this and other Peachpit Press books online before they come off the press.

« Newer Posts - Older Posts »

Follow

Get every new post delivered to your Inbox.